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<channel>
	<title>Max Frances</title>
	<link>https://maxfrances.net</link>
	<description>Max Frances</description>
	<pubDate>Mon, 08 Sep 2025 07:33:37 +0000</pubDate>
	<generator>https://maxfrances.net</generator>
	<language>en</language>
	
		
	<item>
		<title>About</title>
				
		<link>https://maxfrances.net/About</link>

		<pubDate>Thu, 19 Jan 2023 10:17:22 +0000</pubDate>

		<dc:creator>Max Frances</dc:creator>

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		<description>

Max Frances is an artist living and working on Wurundjeri Woi Wurrung Country. A graduate of Fine Art Honours from RMIT University, Max has exhibited locally and internationally including Bundoora Homestead Art Centre, Canberra Contemporary Art Space, Laid Bug in Tokyo, Filet in London, La Place Artspace in Barcelona and has published two artist books through Stray Pages Press. Max Frances was the winner of the Bundoora Homestead Art Centre Award and Deans Award for Excellence - 2020 RMIT Honours Graduate Exhibition.CVMax Frances acknowledges the Wurundjeri Woiwurrung people as sovereign custodians of the land on which they work and live, the Kulin Nation. Paying respects to Elders, past, present and emerging. Sovereignty was never ceeded.</description>
		
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	<item>
		<title>Contact</title>
				
		<link>https://maxfrances.net/Contact</link>

		<pubDate>Sun, 22 Jan 2023 11:01:09 +0000</pubDate>

		<dc:creator>Max Frances</dc:creator>

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		<description>
maxfranceess@gmail.com
@maxfrances__




	 


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	<item>
		<title>'Horny Jail 2' </title>
				
		<link>https://maxfrances.net/Horny-Jail-2</link>

		<pubDate>Mon, 08 Sep 2025 07:33:37 +0000</pubDate>

		<dc:creator>Max Frances</dc:creator>

		<guid isPermaLink="true">https://maxfrances.net/Horny-Jail-2</guid>

		<description>
	Horny Jail 2
1st - 10th August 2025
Nasha Gallery, Sydney&#38;nbsp;

	&#38;nbsp;&#38;nbsp;Horny Jail 2 showcases a selection of artworks that exemplify this phenomenon and the relationship between desire and self-suppression. The theme of confinement serves as a metaphor for the restrictions placed on sexual expression and the ways in which desire can be both liberating and oppressive.
Artist’s IncludeMark Maurangi Carrol, Casey Chen, Catherine Clayton-Smith, Tango Conway, Jedda Daisy Culley, Jincheng Deng, Max Frances, Lucian Freud, Simone Griffin, George Grosz, Nadia Hernández, Drew Connor Holland, Lucas Howard, Lewis Ihnatko, Nicholas Ives, Ben King, James Little, Rosemary Lee, Chelsea Lehmann, Daniel McClellan, Anoushka Mondraty, Georgia Morgan, Erin Murphy, Oscar Nimmo, Pablo Picasso, Ben Reid, Cristofano Robetta, Flin Sharp,Bridget Stehli, Elisabeth Sulich, Telly Tuita, Adele Warner, Siena White and Oriette Wood





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		<title>'The Birds Sang Until the Sky Broke'</title>
				
		<link>https://maxfrances.net/The-Birds-Sang-Until-the-Sky-Broke</link>

		<pubDate>Tue, 19 Aug 2025 10:40:07 +0000</pubDate>

		<dc:creator>Max Frances</dc:creator>

		<guid isPermaLink="true">https://maxfrances.net/The-Birds-Sang-Until-the-Sky-Broke</guid>

		<description>
	The Birds Sang Until the Sky Broke
13th June - 31st July
Curated by Julia Cella&#38;nbsp;

Tangent Projects, Barcelona&#38;nbsp;


	

The Birds Sang Until the Sky Broke embodies a fantastical, sacred, queer utopia, home to a world where joy holds suffering, where love and trauma intertwine. Through a richly layered and nonlinear narrative, the artists manifest a fleeting world of our own–an ephemeral sanctuary that embraces all who step within it.Showcasing the work of Ali Arévalo, Sangre de María, Max Frances, Annika Sunne, Lisa Vander Plaetse, and Julia Cella&#38;nbsp;
The works carry an undercurrent of the past—of wounds and wisdom—revealing how harnessed histories fuel radical imagination. The Birds Sang Until the Sky Broke becomes a site of exaltation, yet not without spectral echoes. Joy and suffering, past and present, destruction and rebirth—all coexist within this sacred space. This exhibition is an invitation: to step into a queer utopia where community is both refuge and revolution, where art reclaims and reimagines, and where the act of storytelling becomes an act of divine transformation.

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 &#38;nbsp;


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	<item>
		<title>'Doubt Without a Scale of Proportion'</title>
				
		<link>https://maxfrances.net/Doubt-Without-a-Scale-of-Proportion</link>

		<pubDate>Tue, 10 Jun 2025 14:17:55 +0000</pubDate>

		<dc:creator>Max Frances</dc:creator>

		<guid isPermaLink="true">https://maxfrances.net/Doubt-Without-a-Scale-of-Proportion</guid>

		<description>
	Doubt Without a Scale of Proportion 10th May - 25th May 2025Animal House Fine Arts, Melbourne


	

Doubt Without a Scale of Proportion explores the intricacies and ambiguities of self-doubt and memory. The expansive paintings are a vessel for enquiry – Max’s works depict the dialogue between their internal and external worlds. They look at the interplay between the familiarity and the unfamiliar, in a visual language that is at once gentle and vulnerable. 
Max approaches this through varied mediums. Oil pastels add depth and texture, which enables the works to query the felt and unexpected elements of memory, doubt, and relational experience.
 
Additionally, the works are accompanied by Max’s written thoughts. The two mediums are in conversation - Frances’ writing influences the distorted marks, movements, and colours in their paintings. Similarly, the paintings influence their word choice and imagery. The dance between mediums embodies Maxs’ playful self-exploration, personifying how the self is in dialogue with the world around it.
Written Texts


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&#38;nbsp;
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		<title>'Growing Pains'</title>
				
		<link>https://maxfrances.net/Growing-Pains</link>

		<pubDate>Fri, 09 Aug 2024 09:28:26 +0000</pubDate>

		<dc:creator>Max Frances</dc:creator>

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		<description>
	‘Growing Pains’&#38;nbsp;1st August 2024&#38;nbsp;Filet, London


	
Growing Pains is a collaboration between Max Frances and Em Finucane. The exhibition transcends location, comprising works produced in Melbourne, London, and Barcelona. Max and Em examine how queer and diasporic people build home within the body, to ask if the ‘home’ is a portable concept.
Maxs’ anthropomorphic paintings and sculptures explore how their body transforms in unfamiliar spaces. Their work dissects the relation between space and body to consider how painting and sculpture can clarify the precarity of bodies in modern society. Max’s process is intuitive and emergent, evolving between their home, Melbourne, and their residency at La Place Artspace, Barcelona.

Em illustrations pairs with a practice of casting and distorting found textures. They use latex as a conduit for something distorted, something fleshy, something familiar yet uncanny. In congruence with Lotte’s articulation of the body-in-space, Em interrogates how the external world imprints on the internal self.

Growing Pains is a dialogue between the artists, which invites the viewer to confront the complexities of identity in transnational contexts. It weaves narratives of exploration, resilience, and belonging, to articulate a world marked by fluidity and transformation.

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	<item>
		<title>'Muscle Man'</title>
				
		<link>https://maxfrances.net/Muscle-Man</link>

		<pubDate>Sun, 10 Mar 2024 23:59:00 +0000</pubDate>

		<dc:creator>Max Frances</dc:creator>

		<guid isPermaLink="true">https://maxfrances.net/Muscle-Man</guid>

		<description>
	‘Muscle Man’1 March - 17 March 2024&#38;nbsp;
Backwoods Gallery, Melbourne
	



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&#60;img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/68afbb98bc1660bd1e899f22f7b3b319ff3a441e7913a1875820481c3c320b21/_3020001-Edit.jpg" data-mid="207311711" border="0"  src="https://freight.cargo.site/w/1000/i/68afbb98bc1660bd1e899f22f7b3b319ff3a441e7913a1875820481c3c320b21/_3020001-Edit.jpg" /&#62;
Photographs courtsey of Backwoods Gallery
</description>
		
	</item>
		
		
	<item>
		<title>'Bodies Without Organs'</title>
				
		<link>https://maxfrances.net/Bodies-Without-Organs</link>

		<pubDate>Sun, 30 Jul 2023 07:05:12 +0000</pubDate>

		<dc:creator>Max Frances</dc:creator>

		<guid isPermaLink="true">https://maxfrances.net/Bodies-Without-Organs</guid>

		<description>
	‘Bodies Without Organs’
24 June - 12 August 2023
Canberra Contemporary Art Space, Canberra
Curated by Anja Loughhead

Check out the ‘Bodies Without Organs’ Catalogue HERE
	Engaging with queer and non-binary artists Bodies without Organs is a group show that explores how contemporary artists transgress and subvert our understanding of materiality and form. These artists from within and outside the ACT intentionally destabilise the traditional codes of abstract painting and sculpture to create works of art that question binary notions of gender, identity and the body. The exhibition and program of events examine, reveal and create space to share queer stories through works of art.
Artists include Emma Beer, Kate Bohunnis, Bryan Foong, Max Frances, Louis Grant, Annie Parnell and Angus McGrath.


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&#60;img width="2471" height="2953" width_o="2471" height_o="2953" data-src="https://freight.cargo.site/t/original/i/d2a9bce893ecd36e9dfbb2a8caa3bfabcefe7f8743124ca84872151353165d2b/CCAS_2023_06_29_002.jpg" data-mid="186466923" border="0"  src="https://freight.cargo.site/w/1000/i/d2a9bce893ecd36e9dfbb2a8caa3bfabcefe7f8743124ca84872151353165d2b/CCAS_2023_06_29_002.jpg" /&#62;

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Photographs by Brenton McGeachie and courtsey of Canberra Contemporary Art Space.
</description>
		
	</item>
		
		
	<item>
		<title>'One Hot Ear'</title>
				
		<link>https://maxfrances.net/One-Hot-Ear</link>

		<pubDate>Mon, 24 Apr 2023 09:54:44 +0000</pubDate>

		<dc:creator>Max Frances</dc:creator>

		<guid isPermaLink="true">https://maxfrances.net/One-Hot-Ear</guid>

		<description>
	Lotte Frances
‘One Hot Ear’

2023
Avaliable to buy online: Stray Pages


	‘One Hot Ear’ is an intimate look into the artist’s practice, with pages of handwritten notes, delicate drawings and heartfelt writings. Frances explores growing up Queer and Trans with infusing earnest text, transformative paintings and humorist installations. Exploring sensitive feelings on the page, Frances provides a unique intimacy with the art-maker and the reader.SP # 1421 x 15 cm52-page perfect bind, printed CMYK dry toner1st edition of 100ISBN: 978-0-6452399-9-7Published 2023
Read More: Ava Nunan’s Review of ‘One Hot Ear’ for Verve Magazine



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&#60;img width="3307" height="4724" width_o="3307" height_o="4724" data-src="https://freight.cargo.site/t/original/i/731c8645155faa7420294db34a46ee7eafc3a890e685c2b10ea78b2879155fb2/lotte_Riso_Poster_lowres_proof-1.jpg" data-mid="176440840" border="0"  src="https://freight.cargo.site/w/1000/i/731c8645155faa7420294db34a46ee7eafc3a890e685c2b10ea78b2879155fb2/lotte_Riso_Poster_lowres_proof-1.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>'One Hot Ear' Book Launch/Exhibition Opening</title>
				
		<link>https://maxfrances.net/One-Hot-Ear-Book-Launch-Exhibition-Opening</link>

		<pubDate>Sun, 30 Apr 2023 02:57:03 +0000</pubDate>

		<dc:creator>Max Frances</dc:creator>

		<guid isPermaLink="true">https://maxfrances.net/One-Hot-Ear-Book-Launch-Exhibition-Opening</guid>

		<description>
	‘One Hot Ear’&#38;nbsp;14 April - 16 April 2023
NGBE Gallery

	



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&#60;img width="1748" height="2480" width_o="1748" height_o="2480" data-src="https://freight.cargo.site/t/original/i/4da42cdb88cef43517c79f32c3993d2c5526f5f04b160c704eafe3ac86f2e348/dwedw.jpg" data-mid="177159437" border="0"  src="https://freight.cargo.site/w/1000/i/4da42cdb88cef43517c79f32c3993d2c5526f5f04b160c704eafe3ac86f2e348/dwedw.jpg" /&#62;




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&#38;nbsp; &#38;nbsp;
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&#60;img width="875" height="1241" width_o="875" height_o="1241" data-src="https://freight.cargo.site/t/original/i/685f8f79371d694a7dd11aa6158afd9e4165c0689e7b6e14a592429473993eed/Kissing-wallll-copy.jpg" data-mid="177161103" border="0"  src="https://freight.cargo.site/w/875/i/685f8f79371d694a7dd11aa6158afd9e4165c0689e7b6e14a592429473993eed/Kissing-wallll-copy.jpg" /&#62;

Installation Photographs by Ruby Sinclair
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